地理研究 ›› 2015, Vol. 34 ›› Issue (3): 422-436.doi: 10.11821/dlyj201503003
收稿日期:
2014-10-11
修回日期:
2014-12-30
出版日期:
2015-03-10
发布日期:
2015-03-10
作者简介:
作者简介:钱俊希(1987- ),男,江苏扬州人,博士,副教授,主要研究方向为社会文化地理、城市研究。E-mail:
基金资助:
Received:
2014-10-11
Revised:
2014-12-30
Online:
2015-03-10
Published:
2015-03-10
摘要:
新文化地理学起源于20世纪80年代,是对传统文化地理学研究范式的激进反思甚至颠覆。首先,新文化地理学具有理论基础的统一性。其反对伯克利学派“超有机体”的文化观,认为“文化”并非具象的“物体”,而是在特定的社会情景或社会关系之下由社会群体自下而上地建构或生产的。自然、景观、地方、空间等地理学要素也并非“文化”被动的表达或容器,而是建构意义与价值系统的关键维度。其次,新文化地理学具有研究话题的多样性。这种多样性不应该被简单理解为研究视角的分散性或破碎性,而是新文化地理学的文化观带来的必然结果。新文化地理学关注草根群体自下而上的文化实践、不同群体与不同尺度的文化事项、以及瞬息万变的日常生活经验。因此,这极大地拓展了其研究话题的广度。目前,中国地理学中有关文化的研究还处在比较边缘化的位置,但现代中国社会的高速变迁迫切地要求文化地理学者从文化的社会性与空间性出发,探讨社会成员赋予自然、景观、地方、空间等地理学要素的文化意义,以及文化这一维度在经济地理学、城市地理学等研究中的重要作用。
钱俊希, 朱竑. 新文化地理学的理论统一性与话题多样性[J]. 地理研究, 2015, 34(3): 422-436.
Junxi QIAN, Hong ZHU. Theoretical unity and thematic diversity in new cultural geography[J]. GEOGRAPHICAL RESEARCH, 2015, 34(3): 422-436.
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